Say after me: conversation with Wayne Koestenbaum --
Almost there: on Eve Sedgwick's The Weather in Proust --
Beyond all change: on Ben Lerner's 10:04 --
From importunate to meretricious, with love: conversation with Brian Blanchfield --
Changing the forms in dreams: on Alice Notley's The Descent of Alette --
A girl walks into a bar...: on Peggy Ahwesh and Keith Sanborn's The Deadman --
Porousness, perversity, pharmacopornographia: on Matthew Barney's OTTO trilogy --
If I didn't tell it: on Zackary Drucker and Rhys Ernst's Relationship --
The reenchantment of Carolee Schneemann --
By sociality, to sociality: on Fred Moten's Black and Blur --
A life, a face, a gaze: conversation with Moyra Davey --
Suicide Blonde at 25: on Darcey Steinke --
Like love: a tribute to Hilton Als --
O that wave: on Samantha Hunt's The Seas --
No excuses: the art of Sarah Lucas --
A continuity, imagined: conversation with Björk --
The understory: on Kara Walker's Event Horizon --
Eighteen theses on Rachel Harrison --
At Girò's: on rereading Natalia Ginzburg's "Winter in the Abruzzi" at the start of a pandemic --
Coming hungry to no wrong holes: the art of Nayland Blake --
The longest road: conversation with Jacqueline Rose --
This living hand, or, my Hervé Guibert --
I just want to know what else might be available: conversation with Simone White --
The dare of Tala Madani --
My brilliant friend: on Lhasa de Sela --
The call: in honor of Judith Butler --
The inoculation: on Dani and Sheilah ReStack's Feral Domestic trilogy --
For who knows how long: on Ari Marcopoulos's Zines --
And with trees: conversation with Eileen Myles.
