A Bastard Kind of Reasoning: William Blake and Geometry
(eBook)

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Published
State University of New York Press, 2023.
ISBN
9781438493237
Status
Available Online

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Format
eBook
Language
English

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APA Citation, 7th Edition (style guide)

Andrew M. Cooper., & Andrew M. Cooper|AUTHOR. (2023). A Bastard Kind of Reasoning: William Blake and Geometry . State University of New York Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Andrew M. Cooper and Andrew M. Cooper|AUTHOR. 2023. A Bastard Kind of Reasoning: William Blake and Geometry. State University of New York Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Andrew M. Cooper and Andrew M. Cooper|AUTHOR. A Bastard Kind of Reasoning: William Blake and Geometry State University of New York Press, 2023.

MLA Citation, 9th Edition (style guide)

Andrew M. Cooper, and Andrew M. Cooper|AUTHOR. A Bastard Kind of Reasoning: William Blake and Geometry State University of New York Press, 2023.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDe51511fd-abdf-f8c2-091f-4d3679044746-eng
Full titlebastard kind of reasoning william blake and geometry
Authorcooper andrew m
Grouping Categorybook
Last Update2024-05-15 20:01:03PM
Last Indexed2024-06-27 03:17:49AM

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First LoadedApr 11, 2024
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Hoopla Extract Information

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    [synopsis] => What do Einsteinian relativity, eighteenth-century field theory, Neoplatonism, and the overthrow of three-dimensional perspective have in common? The poet and artist William Blake's geometry-the conception of space-time that informs his work across media and genres. In this illuminating, inventive new study, Andrew M. Cooper reveals Blake to be the vehicle of a single imaginative vision in which art, literature, physics, and metaphysics stand united. Romantic-period physics was not, as others have assumed, materialist. Blake's cosmology forms part of his age's deep reevaluation of body and soul, of matter and Heaven, and even probes what it is to understand understanding, reason, and substance. Far from being anti-Newtonian, Blake was prophetically post-Newtonian. His poetry and art realized the revolutionary potential of Enlightened natural philosophy even as that philosophy still needed an Einstein for its physics to snap fully into focus. Blake's mythmaking exploits the imaginative reach of formal abstractions to generate a model of how sensation imparts physical extension to the world. More striking still, Cooper shows how Blake's art of vision leads us today to visualize four-dimensional concepts of space, time, and Man for ourselves.
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